We first exhibited at Chelsea 26 years ago. Upping our game every year, we worked with young, fledging designers who relished the opportunity to create a garden stage set for our stand.
Each and every designer collaboration has been a growth experience, friendships have been created and a reputation for excellence forged. It is this that has enabled us to consider and be considered for the exciting and terrifying opportunity of creating our own Show Garden.
In partnership with Nic Howard
For the last two years we have worked joyously with the garden designer Nic Howard. After two successive awards, for ‘Best Trade Stand in Show’ in 2016 and the ‘Director General’s Trade Stand Award’ in 2017, we felt the collaboration of David Harber, Nic Howard and Nik Edser of Langdale Landscapes as contractor was a winning combination and we had to go for the ultimate challenge of creating a show garden.
Nic and I saw the garden as a journey, a meandering voyage through time, subtle yet evolving. It needed to represent the beginnings of human influence as well as more recent developments that have a worrying impact on our environment and the planet as a whole.
All the world is a stage
The Garden is a stage set with the drama of layered theatre wings creating a sense of concealment and depth and telling the story of mankind through time.
Our narrative starts with the primaeval concept of early agriculture as defined by a rudimentary barrier to keep the unwanted out and protect life and livestock within. In the garden this is represented by the sculptural bronze ‘Enclosure’.
As we progress, we move to an area of more formalised and structured planting. This time of ‘Refinement’ is communicated by an intricately patterned sculptural screen that reflects the emerging appreciation of the aesthetic and mankind’s emotional and intellectual development.
The penultimate sculptural element in the journey, while similar to ‘Refinement’ has a more clearly defined geometric pattern, referencing the evolution of our ability to design and create for purely aesthetic enjoyment. ‘Sophistication’ has a crisp, geometric pattern inspired by nature but created by man. It has within a subtle flaw to symbolise the increasingly perceptible and very real damage our activities are having on nature and the equilibrium of the planet.